Stories
There's only one you. And there's only one Trinity Laban
Alina Pritulenko explores new perspectives and piano pieces
Alina Pritulenko explores new perspectives and piano pieces
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Trinity Laban and Mugler Creators: supporting the talent of tomorrow
Trinity Laban and Mugler Creators: supporting the talent of tomorrow
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Asher Norridge on performance, poetry, and contemporary creative practice
Asher Norridge on performance, poetry, and contemporary creative practice
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International concerts and performing with the Meissa Trio: meet our Bagri Foundation scholar Samyuktha Rajagopal
International concerts and performing with the Meissa Trio: meet our Bagri Foundation scholar Samyuktha Rajagopal
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Juan Ventura on Dance Science and performing with Lady Gaga
Juan Ventura on Dance Science and performing with Lady Gaga
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Lettice Cook on having fun on stage and performing with Kerry Ellis
Lettice Cook on having fun on stage and performing with Kerry Ellis
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Hommage à BACH: behind the scenes of Giacomo Tora’s debut album
Hommage à BACH: behind the scenes of Giacomo Tora’s debut album
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Opening for Max Richter and premiering compositions: meet musician Carolina Cury
Opening for Max Richter and premiering compositions: meet musician Carolina Cury
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Alessandra Felci discusses collaboration, choreography, and her recent short film
Alessandra Felci discusses collaboration, choreography, and her recent short film
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From Renaissance madrigals to Jazz improvisation: meet multi-instrumentalist Lewis Chinn
From Renaissance madrigals to Jazz improvisation: meet multi-instrumentalist Lewis Chinn
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Elena Hilgert on clothing, identity, and empowering young people in their artistic expression
Elena Hilgert on clothing, identity, and empowering young people in their artistic expression
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“Everything can be contemporary dance, anything can inspire you”: Dancer Ya Shu on defying labels and limits
“Everything can be contemporary dance, anything can inspire you”: Dancer Ya Shu on defying labels and limits
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Tom Self on panto, performance, and the piano
Tom Self on panto, performance, and the piano
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